She later explains that each time they are in the vicinity of a witch, she develops a cough. Namely, they have claws instead of hands they have no hair large nostrils to sniff out children, and their mouths arch at the corners, which is often hidden by makeup.
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Later that night, Charlie’s grandmother explains the features of a witch to him, including how to spot one. Stringer tells the leader of the group that the cat isn’t welcome, the group protests, questioning what the process surrounding mice being at the hotel would be. Among them is the woman Charlie had previously seen at the store. Just as Charlie and his grandmother head upstairs, a group of women - clearly a coven of witches - enter the hotel. The witches, led by the Grand High Witch, arrive at the hotel. As they’re welcomed to the hotel, it is revealed that the Narrator’s name is Charlie. Finally, they arrive at the hotel, where they’re welcomed by the concierge. More importantly, she explains that they are ruled by one of the worst witches ever: the Grand High Witch.
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When the Narrator questions how they are sure they can be safe there, she remarks that witches only pray on the poor this hotel, however, is full of wealthy white people.ĭuring their journey to the hotel, the Narrator’s grandmother tells him about witches and their covens. Grandmother tells the Narrator that they must leave immediately, remarking that they will go to stay at a hotel. Agatha Hansen tells the Narrator a story about her time as a child, and her experience of her childhood friend, Alice, being turned into a chicken by a witch after taking sweets from the woman. She eventually reveals that the boy saw a witch. When they arrive back home, the Narrator explains what he saw in the store, but his grandmother already has an inclination as to what it was, and begins asking questions. Agatha Hansen begins suffering from a cough every time the woman is around, and she becomes aware that something is amiss. The narrator becomes fascinated by the snake curling around the woman’s arm, but is forced to leave the store in a hurry when his grandmother calls after him. Whilst looking for the nails, however, the Narrator is approached by a woman - clearly a witch - who offers him a sweet. The Narrator asks his grandmother if he can purchase some nails to build Daisy a little house, to which Agatha Hansen accepts, citing that he must buy the correct nails if he wishes to stop them from rusting. Grandmother is angry that they are past their sell by date, however the shopkeeper explains that they are fresh and were recently brought into the store nonetheless, Agatha Hansen asks for fresh leaves, to which the keeper obliges. The following day, the Narrator and his grandmother return lettuce leaves to the local shop. Unbeknownst to the Narrator and his grandmother, however, a witch is aware of their arrival in Demopolis and watches the two through the window of their house. This brings the Narrator out of his shell and he finally begins to interact and socialise with his grandmother, all whilst learning the mouse new tricks. Life is tough initially for the narrator, and he is unwilling to eat or socialise with other children.Įventually, Grandmother purchases the Narrator a mouse, which he names Daisy. The narrator’s grandmother places him in his mother’s childhood room, and leaves to make hot chocolate whilst the boy unpacks his things and becomes acquainted with his new home. As a result, the narrator fell under the guardianship of his grandmother in Demopolis. The narrator reveals the story behind the death of his parents at only eight years old during a snowy period in Chicago. The narrator begins to tell his story about his experiences of witches when he was a young boy in Chicago. The narrator emphasizes that witches hate children, and spend the majority of their time thinking of new ways to get rid of them. He explains that anyone at any time could be a witch, and nobody would know. The narrator explains that witches are real, living alongside everyday people. Regrettably, they arrive at precisely the same time that the Grand High Witch (Anne Hathaway) has gathered her fellow Witches from around the globe to carry out her nefarious plans to rid the world of children. The boy and his grandmother come across some deceptively glamorous but thoroughly diabolical Witches, so Grandma wisely whisks our young hero away to an opulent seaside resort. In Robert Zemeckis’ re-imagining of the classic Roald Dahl story, an orphaned boy (Jahzir Bruno) comes to live with his Grandma (Octavia Spencer) in Demopolis, Alabama in 1967.
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